当代著名钢笔画家唐亮作品欣赏[图文]

【画家唐亮介绍】

1955年出生于中国南京，1982年毕业于南京工艺美术学校，1984年结业于中央工艺美术学院研修班，1998年毕业于澳大利亚梅铎大学获得MBA硕士学位。

现为江苏省美术家协会会员，香港美术家协会理事、中国建筑学会会员、中国美协壁画学会理事、中国钢笔画研究会副主席、中国建筑与文化研究会陈设艺术专业委员会副主任，全国工商联家具装饰业商会艺术装饰专业委员会副主任，意大利皇家国际钢笔画艺术家协会副主席，中国分会主席，H0AA艺术设计集团艺术总裁，东南e馆高级艺术顾问。

出版的《唐亮钢笔画——手绘集》、《线之情——唐亮钢笔画集》、《乡情——唐亮素描速写艺术》、《心语同源》、《唐亮钢笔画》、《情系海企—唐亮场景速写集》、《唐亮人物速写集》等专著，在全国各大书店和亚玛逊、当当、天猫网有售，很多作品入选《香港速写集》、《香港画家水彩作品集》、《中国当代书画名家年鉴》、《经典与和谐》、《中国钢笔画精品——第二届全国钢笔画展作品选集》、《全国第三届钢笔画大展优秀作品集》等书籍，历年作品多次在香港、国内和其他国家举办个展及联展，并获金奖。

《威尼斯早晨》

《德国教堂》

钢笔画艺术的生命律动

——对唐亮绘画艺术的评论

唐亮先生是中国著名的钢笔画艺术家，其作品丰富、风格鲜明、名声赫然，是被钢笔画界备受尊敬和推崇的艺术家。他的绘画作品在中国独树一帜，形成以“线之情”命名的唐派绘画风格。

唐亮先生的钢笔画作品线条柔韧而又挺拔、婉转而又流畅，充满活力和迷人的魅力。随着他笔触的运转，线条的曲直转折，将一幅幅生动的作品呈现在我们眼前。

《科隆教堂》

香港《黄大仙庙台》

唐先生绘画线条十分准确精到，落笔果断、笔势明快，行笔迅速，视觉冲击力强。这些都得力于他敏锐的观察力和摄取力，得力于他深厚的速写功底。

唐先生绘画线条蕴含着丰富的情感，画每根线条时都以情感为引导，以抒发情感为动力，用多变的造型手法和线条、色彩，借助大自然形形色色、风格迥异的形态去抒写胸中的情感，他不愧为中国钢笔画领军人物。

《英国伦敦官邸》

《法国钟楼》

唐先生的钢笔画，在构图的取舍、画面的详略、画中的气眼等方面形成独到的风格。并且主观的表现对象关系、把一些具象的事物艺术化，高度取舍而大胆的留白，让欣赏者更集中的关注画家想让你关注和理解的地方，同时留下更多的思考和遐想空间。

《欧州古镇》

《圣玛珂可教堂全景》

他的作品中有许多以欧美风光为题材，他用中国人的视角去观察和表现异国风情，不仅给中国画坛带来一道亮丽的风景线，同时也给欧美的美术界带来别样的“景观”。他笔下的欧洲的建筑，色块的铺陈非常得当，明暗处理恰到好处。有些作品施以淡彩，使整个建筑的结构显得厚重，沉稳；作为衬托的人群，他用简练的笔法，没有刻意勾画出他们的具体形象，而是寥寥几笔，就突出了整个人群的整体动态场景，既能表现出一种熙熙攘攘的壮观场面，又不至于喧宾夺主，最先跳入你眼帘的，还是那些圆顶或者尖顶的教堂，或者年代久远的砖房，或者伟岸的现代高楼。

《圣玛珂可教堂正门》

《欧州城堡》

尽管一些作品构图留下许多空白，但给我们的感觉仍然是那么饱满丰富，这正是唐亮先生融通东西方绘画精华而高明之处。

《牵骆驼的阿拉伯妇女》

《牵骆驼的阿拉伯妇女》, 这幅作品的特点就是一种空灵，一种简约到无可再减一笔，又洗练到多加一笔也嫌赘余的地步。没有用任何的线条或者细点去画出沙漠，只有两个影子印在地上，其他地方一片空白。整幅画面干净得透彻，甚至那根牵骆驼的绳子也处理得细如游丝，若有若无。妇女很具穆斯林特征的大眼睛鲜明地从面纱上方顾盼，而身负沉重行囊的骆驼，令人惊奇的是，它的神态并没有不堪重负的疲惫，而是充满自信、从容，甚至可以说步态优雅。妇女的修长体态，轻盈的脚步，使这一个人、一峰驼，在空寂的沙漠里，而且应该是在傍晚阳光的辉映下，显得如此协调和神秘。

《捷克布拉格街景》

《意大利米兰商城》

《黄大仙庙》的这一幅，也是明显有别于其他作品的。唐先生运用了大量看似凌乱无序的短促的曲线，重复、叠加，来描绘神像、供品、帷幔、经幡，施以淡彩，简单的几种，以黄色为主色调，辅以几朵冷色——蓝、绿、紫，衬托出殿堂的香火的旺盛和庄严肃穆。

《佛罗伦萨古城》

《青岛城堡》

欣赏这幅画，感觉有琵琶声“嘈嘈切切错杂弹”，又像小提琴的回弦，急促而尖锐。这样安静的题材，以这种紧张的笔法来表现，收到一种奇特的反差效果。

品味唐亮的画如吟一首首诗，词句精炼，却韵律优美，意味深长；品味他的画如欣赏一首首动人的乐曲，起伏跌宕、令人陶醉、沁人心神；品味他的画如领悟一段经典语录，富于哲理、开拓思路、发人深思。

《周庄夜色》

唐先生是中国影响最大的钢笔画艺术家之一，在中国出版过数本作品集，一些经典作品还在国际上产生很好的影响；唐先生曾在中国大型美术展和钢笔画展上多次获得金奖；目前他担任着中国《建筑与文化》杂志的编委会委员，中国建筑学会会员，中国壁画学会的理事，并且从事着美术研究与教学工作。他的许多优秀作品分别被国内外收藏机构和收藏家收藏。他独特、清新、唯美的画风对中国钢笔画的发展和创新起到了重要的引领和推动作用。他继承传统，又不拘泥传统，他吸收时尚，又不沉溺时尚，传统与时尚的高度融合与创新，使他的钢笔画成为中国钢笔画的一个不可或缺的重要组成部分，并为世界钢笔画界带来一股清新的中国风。

郭浩满 国际著名艺术评论家，云峰画苑董事长，国际收藏家交流协会会长，世界杰出华人基金会会员，美国皇家百圣大学荣誉文学博士。

《在欧州给学生上课》

《意大利费拉拉现场作画》

《在庐山特训营上万人大课》

Rhythm of Life of the Pen Drawing Art

——Comment to the art of painting of Tang Liang

Mr. Tang Liang is a famous Chinese pen drawing artist. His works, which is very prolific, possess distinctive style and awesome fame, and also makes him to be the artist who is respected and highly praised in the pen drawing community. His paintings develop a unique style of his own in China so to form the Tang painting style named “love of lines”.

The lines of Mr. Tang Liang's pen drawing works are pliable and tough, tall and straight, mild and indirect, smooth and easy, being full of vitality and fascinating charm. Following the wieldding of his brush strokes and the varied changing of the lines, these vivid works come into our view.

Mr. Tang’s painting lines are accurate and subtle. His handwriting is decisive, lucid and lively with his wielding pens quickly that makes the works be in strong visual impact. All these are benefited from his keen observation and the ability of absorbing, which also thanks to his profound and proficient skills of sketch.

Mr. Tang’s painting lines contain a wealth of abundant emotion. He draws every line with the guidance of emotion and takes the expression of emotion as the driving force. At the same time, he describes the emotion with varied formative method, lines and colors and also with the help of all sorts of forms of different styles in nature. he deserves the reputation of being the leader of Chinese pen drawing.

Mr. Tang's pen drawing works form a unique style in many aspects such as the trade-off of the composition of a picture, the levels of detail of the picture and the core in the painting. In addition, he subjectively expresses the object relationship and arts up some representational things. He accepts or rejects with high degree and uses copy space boldly so that the appreciators can pay more attention intensively to where the painter wants you to pay attention and understand. Meanwhile, this can leave more space for thought and reverie .

In his works there are many of which take the scenery of Europe and the United States as themes. That he uses a Chinese perspective to observe and perform the exoticness brings not only brings a beautiful landscape to Chinese painting art circle but also a different kind of "landscape" to that of Europe and the United States. The European constructions under his description have the proper layout of the blocks of colors and the just chiaroscuro. Some are painted with light colours to make the entire structure of the building stately and steady, and to the foiled crowd, he dose not painstakingly draw the outline of their specific image but uses some brief sketch to highlight the whole dynamic scene of overall crowds. Such a concise brushwork he uses presents a bustling spectacular scene and at the same time without stealing the main character in a show. The first to burst into your eyes are still those churches of dome or spire, or the age-long brick house, or the straight and tall modern high-rise building.

Although some of the works' composition are left with many blanks, they still give us the feeling that they are so full and so rich. Mr. Tang Liang is so genius that he mixes the essence of Eastern and Western painting together.

The characteristics of this painting named "An Arab woman who leads a camel" is that it possesses a kind of unpredictable feeling, so it is too simple to reduce and too pithy to add even one stroke. There is no extra lines or fine points to draw the desert, but only two shadows printed on the ground with other places being blank. The whole picture is thoroughly clean, even the rope which leads the camel is handled faintly discernible as fine as gossamer. The big eyes with many Muslim features of this woman looks around from above the veil brightly. And the camel which carries some heavy luggages, surprisingly, it has no expression of stressed-out exhaustion, but full of confidence, calm and even grace gait. The woman's body is slender and pace is lightsome, which makes the person and the camel in the solitude of the desert and under the shining below sun in the evening appear so harmonious and mysterious.

The work of“Wong Tai Sin Temple” is also significantly different from those of other works. Mr. Tang uses a large number of seemingly messy and disorderly short curves to repeat and superimpose for depicting the statues, offerings, purdahs and prayer flags. They are painted by several simple kinds of light colours which takes yellow as dominant tone, supplemented with several cool colour ---- blue, green, purple to set off the exuberant incense of the temple and its solemn and awe-inspiring.

Enjoy this picture, you can feel like there is the voice of Chinese lute, or like the voice of a violin back string, rapid and sharp. A theme which is so quiet is represented by this tension strokes just has received a peculiar contrast effect.

Tasting Tang Liang’s paintings is just as chanting the poems - the meannignful words are refined but the rhythm is beautiful; Tasting his paintings is just as appreciating the moving musical composition - they are intoxicating and refreshing with the ups and downs; Tasting his paintings is just as understanding a classic quotations, which is full of philosophic theory - they can develop your train of thought and set people thinking.

Mr. Tang is one of the pen drawing artists who have the biggest impact in China, and has published several sample reels, some classic ones of which also have produced international influence; Mr. Tang has won Gold Award more than once in large-scale art exhibitions and pen art exhibition in China; Currently he serves as the member of the Editorial Board of Chinese Architecture and Culture magazine, the member of the Architectural Society of China, the director of Chinese Murals Society, and engaged with the work of art researching and teaching. Many of his outstanding works are collected by collectors and collection organizations at home and abroad. His unique, pure and fresh, aesthetic painting style has played an important role in leading and promoting the development and innovation of pen drawing. He inherits the tradition but not rigidly stick to it. He absorbs the fashion but not addicted to it. The integration and innovation of high degree of fashion and tradition makes his pen drawing become an indispensable and important part of the Chinese pen drawing and also brings a fresh wind of Chinese style to the pen drawing community of the world.

Guo Haoman, famous international art critic, CEO of Yunfeng gallery, Chairman of international collectors Association, the member of outstanding Chinese people Association, and also honorary PHD of The Queen's University of Brighton

Yu Jigao:

The outstanding master of meticulous flowers and birds painting in the contemporary era, the first-grade State artist. Director of China Artists Association, vice president of China Federation of Literary and Art Circles Peony Paintings And Calligraphy Art Commission, subdecanal of Jiangsu Province Chinese Painting Institute, vice president of Jiangsu Province Artist Association, academician of Academy of Chinese Painting,vice president of Chinese Traditional Realistic Painting Commission, committee member of Xu Beihong Scholarship Committee.

《唐亮同意大利画家交流钢笔画》

《同法布尼亚诺艺术家交流》

《同德国艺术家交流》